2022
• Sujin Kim, « Soun Gui Kim, a korean artist in France: art as a form of resistance », Archives of Women Artists, Research and Exhibitions, Paris
2021
• Jean-Michel Rabaté, “Soun-Gui Kim and the Sympathy of Things”, Encounters with Soun-Gui Kim: Writings, 1975-2021, ed. Slought, Philadelphia
• Soun-Gui Kim, “To Jean-Luc”, Encounters with Soun-Gui Kim: Writings, 1975-2021, ed. Slought, Philadelphia
2020
• Kim Young-Joo, “Kim Soun Gui’s analog, Rediscovering Pinhole Photos”, Monthly Photo, Seoul (PDF)
• Hye-Jin Mun, “In search of an origin, neither here nor there”, Encounters with Soun-Gui Kim: Writings, 1975-2021, ed. Slought, Philadelphia
• Jean-Luc Nancy, “This to-day”, Encounters with Soun-Gui Kim: Writings, 1975-2021, ed. Slought, Philadelphia
2019
• Soojung Yi, “About the “Work Meeting the Everyday Together with People, Following the Moments, Using What is Not There””, Catalog of exhibition Lazy Clouds – Soun Gui Kim, MMCA, Seoul
• Hyejin Mun, “Video-O Time-One’s Place”, Catalog of exhibition Lazy Clouds – Soun Gui Kim, MMCA, Seoul
• Kim Hyungsoon, “Kim Soun Gui : Exposition Lazy Clouds, MMCA is dog house ?”, 2019. 8. 30, Seoul (Link)
• Han Song-yi, “A Study on Kim Soun-Gui’s ‘Multi media’”, Hongik University, Master’s thesis, Seoul
2018
• Angela Jeeyoung Chun, “Kim Soun-Gui’s Journery to O”, Catalog of exhibition O Time, Arario Gallery, Seoul
2017
• Jeon, Yusin, “Postwar Korean Art as seen through its Relationship with French Art: A Case Study on Korean Artists in France”, Department of Art History, The Graduate School, Doctorat, Ewha Woman’s University, Seoul
• Kim Man Na, “Bonjour, Soun Gui Kim”, Heritage Muine, Seoul, 2017 (PDF)
• Ryu Jung Hwa, “Soun Gui Kim, Do you see? Do you hear?”, Noblesse, n° 18, Seoul, June, 2017 (PDF)
2016
• Wai-Lim YIP, “Kim Soungui and the Daoist Horizon of Great Wu 大無, in Comparative Approches to Emptiness, Nothingness, and Silence in the East & The West, Institute of Confucian Philosophy and Culture, Sungkyunkwan University, Seoul
2015
• Jean-Michel Rabaté, “Par-dessus le marché or Into the Bargain: Derrida, Soun-Gui Kim, and ekphrasis”, Études Françaises, vol. 51, n.2, Presses de l’Université de Montréal
2014
• 정현, “Conversation with Soun-gui Kim”, Webzine of National Museum of Modern and Contemporary Art, vol 73, May, 2014, Seoul
• Kim Yeon-Hee, “One between Asian philosophy and games of language, Moon, where, under the market, silence”, Sciencetimes, May, 2014, Seoul
2012
• Soun-Gui Kim, “Do you know how to forget?”, Conference «Cage transatlantique / Transatlantic Cage» held on 20-22 September 2012 for John Cage’s centenary at Université Paris 3 and Université Paris 7
2011
• Claude Berniolle, “Air de famille de wittgenstein avec Tchouang-Tseu – Sur une idée de Soun-Gui Kim”, PLAST IR, n° 25, dec., 2011
2008
• “Interview with Kim SounGui: Kim Sun Jung, Oh Mi Kyung, Lim Bo Ram, Park MiYeon”, Stock + Garden, Samuso, Seoul
• “Conversation with Lee Young-Chul”, Artsit talk in Plateform Seoul 2008, Samuso, Seoul
2004
• Wai-Lim Yip, “Soun-Gui Kim and Daoïste Horizon of Great Wu, the Undifferenciated (W) holistic Composition of All Things”, Same + Different: Art, Artists and Cultural Space in East Asia, San Diego Art Museum, San Diego (PDF)
• Wai-Lim Yip, “Contemporary Art and Taoism”, Written version of a conversation with Wai-Lim Yip on 6 November 2004 at the «Same + Different: Art, Artists and Cultural Space in East Asia» symposium, organised alongside the exhibition Past in Reverse: Contemporary art of East Asia at the San Diego Art Museum
• Kang Te-Hee et Betti-Sue Hertz, catalogue; Past in Reverse: Contemporary Art in East Asia, San Diego Art Museum, San Diego
2003
• Soun-Gui Kim, “Vers askes Red”, Montagne, c’est la mer, Tschouang-Tseu et Wittgenstein (La main courante: La Souterraine, 2003)
2002
• “Conversation : Soun-gui Kim with Jacques Derrida and with Jean-luc Nancy”, Wolgan Misool, jul., Seoul
• Jacques Derrida In Conversation With Soun-Gui Kim, “Beating the Market”, Interview recorded in French on 7th March 2002 and broadcast on 28th March 2002 as part of the International Gwangju Art Biennale (Gwangju, South Korea)
• Jean-Luc Nancy In Conversation With Soun-Gui Kim, “Presentation / Disappearance”, “This interview was conducted in French via video- conference on the 28th of March 2002 at the International Gwangju Biennale (Gwangju, South Korea), Translated by Fiona Morena”
2001
• Claire Nedellec, “Soun-gui Kim”, Art Press, n° 270, jul.-aug., Paris (PDF)
• Kim Aie-Ryong, “Visit of the exhibition:Soun-gui Kim”, Art in Culture, n° 5, Seoul
2000
• Jérôme Sans, “Jeu comme forme de vie : Interview with Soun-gui Kim”, Bonjour, Hong Design, Seoul (PDF)
• Jean –Luc Nancy, “Les sens du sens”, “Stock exchange”, Bonjour, Hong Design, Seoul
• Jean Pierre Cometti, “Modes d’emploi ou l’art sans qualité de Soun-gui Kim”, Bonjour, Hong Design, Seoul
• Song Wan-kyong, “Here, there, everywhere – walk of Soun-gui Kim”, Bonjour, Hong Design, Seoul
1999
• Jean-Luc Nancy, “Experiencing Soun-gui”, Tympanum, Tympaum, NY (PDF)
• Jean-Luc Nancy, “Stock exchange”, La Maison du Livre d’artistecontemporain, Domart en Ponthieu
• Jean-Pierre Cometti, “Mode d’emploie ou l’art sans qualité de soun-gui Kim”, Particolore, n° 1, Marseille (PDF)
• Jean Pierre Cometti, “Paradoxes de l’usage”, L’Art sans qualité, Farrago, Paris
• Jeong Gi-Yong, “Kim Soun-gui / Nuages paresseux à travers le temps et l’espace”, Ideal Architecture, Seoul
• Soun-Gui Kim, “Step of gesture”, Originally published in French in Soun-Gui Kim, Nuages paresseux (La Main Courante: La Souterraine, 1999). Translated by Maxime Dargaud-Fons
• Jean-Luc Nancy, “For What it is Worth”, Originally published in French in Stock exchange (Maison du LAC: Domart-en-Ponthieu, 1999)
Translated by Marc Froment Meurice
1998
• Yves Michaud, “Non site of Soun-gui Kim”, catalogue; Sarajévo2000, Kunst Stfting Ludwig Wien Palais Lichtenstein, Vienna (PDF)
• Soun-Gui Kim, “Today”, Note for the exhibition “Korean Contemporary Art-Time” at Hoam Art Center, Seoul, originally in Korean Translated by the organizers
• Soun-Gui Kim, “About multimedia”, Originally published in French in Soun-Gui Kim — Monographie II (Sock-Jon: Les Herbins, 1997) Translated by Marc Froment Meurice
1997
• Sangsoo Ahn, “Conversation with Kim Soun-Gui”, Bogoso-Bogoso, An Graphics, Seoul
• Jean-Luc Nancy, “Experience Soun-Gui”, Monographie II, ed. Sock-Jon
• Jean-Pierre Cometti, “Mode d’emploi ou l’art sans qualité de Soun-gui Kim”, Monographie II, Sock-Jon, Les Herbins
• Jean Marc Hutorel, catalogue; Photographie d’une collection 2, Hazan, Paris
1996
• Sylvie Timbert, “Pas de paysage, mais juste un passage, Soun-gui Kim”, Revue d’Esthétique, Nouvelle Série, n° 2, Paris
1995
• Sylvie Timbert, “Soun-Gui Kim ou les devenirs corps-composite de l’Unique Trait duPinceau”, Doctorat, Philosophy esthetics, l’University of Nice –Sophia Antipolis
• Soun-Gui Kim, “Emptiness or silence”, Presented at “Un jeudi de l’Institut”: Dance and its spaces, La Villette, 16 March 1995, Opéra national de Paris- Bastille, Originally published in French in Soun-Gui Kim — Monographie II (Sock-Jon: Les Herbins, 1997), Translated by Maxime Dargaud-Fons
• Soun-Gui Kim, “A big image has no form”, Presentation at “L’Autre Pas”, a conference organized by the Institute of Music Pedagogy and Choreography, Cité des Sciences, la Villette, November 1, 1995, Originally published in French in Soun-Gui Kim — Monographie II (Sock-Jon: Les Herbins, 1997), Translated by Maxime Dargaud-Fons
1994
• “Getting the message”, Art and Australia, vol. 32, n °1, UNESCO, Paris
1991
• Soun-Gui Kim, “Travel diary”, Excerpted from a travel diary, originally published in the catalog of the Rencontres internationales de la photographie d’Arles, in 1995
Translated by Sofia Rabaté
1992
• Yoo Jin-Sang, “Soun-Gui Kim”, Wolgan Misool(Monthly Art), sep., Seoul
• Kim hong-hee, “Soun-gui Kim”, catalogue : The Seoul Fluxus, API, Seoul
• Jong Jang-Yol, “Soun-Gui Kim”, Weekly Chosun, aug., Seoul
1989
• Clio Mitchell, “Instant Myth”, Art International, feb., London
• Anne Coquelin, “Eau-Pierre”, Revue d’Esthétique, Nouvelle série, Printemps 89, Paris
• Dominique Païni, “Soun-gui Kim”, Art Press, N°138, jul.-aug., Paris
• Suzuki Hidénobu et Sylvie Timbert, “Jardin de pierres de Soun-gui Kim”, Music Today, Quartely, ARC, Tokyo
1988
• Daniel Charles, “L’Un et le Multiple”, Monographie I, Sock-Jon, Les Herbins
• Sylvie Timbert, “Eclisse de Temps”, Monographie I, Sock-Jon, Les Herbins
• Charles Dréfus, “Soun-Gui Kim, Poétique de la Multiplicité”, Kanal Magazine, N° 36-37-38, Paris
1987
• Daniel Charles, “An ear alone is not being”(John Cage), Ars Electronica, Festival fürKunst, Technologie und Gesellschaft-Linz, Lintz
• Sylvie Timbert, “Soun-gui Kim, Conte de la tortue du camélion et de dragon”, University of Paris III, Paris
1986
• Daniel Charles, “Soun-gui Kim ou Eclat du temps”, catalogue; Vidéo Multimédia/ Soun-Gui Kim et ses Invités, IMEREC, Marseille
• Soun-Gui Kim, “Vide & 0”, First published in French in « Temps de la vidéo et temps de la performance », in N° Spécial Vidéo-Vidéo, Revue d’Esthétique, Nouvelle série, n° 10
• Soun-Gui Kim, “Savors of Sound”, Written for Jean-Luc Nancy, in response to his
“The Senses of Sense”, Originally published in French in Bonjour — Soun-Gui Kim (Hong Design: Seoul, 2000), Translated by Maxime Dargaud-Fons
1982
• Soun-Gui Ki, “Nam-June Paik In Conversation With Soun-Gui Kim”, Encounters with Soun-Gui Kim: Writings, 1975-2021, ed. Slought, Philadelphia
• Nam-June Paik In Conversation With Soun-Gui Kim, “Bonjour Nam-June Paik I”, Vidéo footage of the interview published in Bonjour Nam-June Paik I (DVD, Copyright 1982, Soun-Gui Kim) Translated by Jaeryong Park, revised by Maxime Dargaud-Fons
1977
• Kim Chi-Sou, “Interview with Kim Soun-Gui”, Journal Seoul, 30 aug., Seoul
• Park Song-Ja, “Question of Time & Space, and language in art: conversation with Kim Soun-Gui”, Space, n° 123, Seoul
1975
• A. R. Moreno, “Temps-Espace”, catalogue of exhibition; Kim Soun-Gui, American Cultural Center, Seoul
• Park Han-Shik, “Space 75, reportage”, Space, n° 101, oct.- nov., Seoul
• Park Yong-Ku, “Space 75”, Journal Chosun, 5 oct., Seoul
1974
• Sylvie Dupuy, “Octobre à Bordeaux”, Art Press, n° 8, dec.-jan., Paris
1973
• Pierre Paret, “Octobre à Bordeaux”, Sud-Ouest, 5 & 8 oct., Bordeaux