2019
• “Lazy Clouds – Soungui Kim”, Catalog of exhibition, MMCA-Seoul, Seoul
• “Colporteurs – Paria” in catalog of exhibition “Lazy Clouds – Soungui Kim”, MMCA-Seoul, Seoul
• “Can You Forget?” in catalog of exhibition “Lazy Clouds – Soungui Kim”, MMCA-Seoul, Seoul
2018
• “O Time”, Catalog of exhibition, Arario Gallery, Seoul
2016
• “보이니 ? Entends-tu?”, 김순기 詩畵集, Poèmes et Dessins de KIM SOUN GUI, Editions O’NW 오뉴월, Seoul
• “Art est-il le lieu du sens sans signification ?”, in Comparative Approches to Emptiness, Nothingness, and Silence in the East & The West, Institut de philosophie et de culture confucéennes, Université de Sungkyunkwan, Seoul
2015
• “How arrive, Silence, Resistance in the art of Kim Soun Gui : Conversation of Jean-Luc Nancy with Kim Soun Gui”, Comparative Korean Studies, vol. 23 N°2, aug. 2015, The International Association of Comparative Korean Studies, Seoul
2014
• Kim Soun Gui, Art, or listen to the silence : Soun-Gui Kim in conversation with Jacques Derrida, Jean-Luc Nancy & John Cage, DVD and Book, ed. Jean-Michel Rabaté & Aaron Levy, Slought Foundation & Art Sonje Center & Institut français of Korea, Seoul, 2014
2010
• “As-tu entendu le sirocco?”, Nouvelle Revue d’Esthétique, n° 5, 2010, Paris
2006
• “Paradox of Paik Nam June, Was he Taoist?”, Study of Contemporary Art Museum, MMCA, Gwacheon
2004
• “Conversation with Wai-Lim Yip: Contemporary art and Taoism”, Same + different: Art, Artists and Cultural Space in East Asia, San Diego Museum of Art, San Diego
2003
• Kim Soun Gui, Montagne, c’est la mer / Tchouang-tseu et Wittgenstein, La Maincourante, La Souterraine
2000
• “Saveur du bruit”, reply to the text of Jean-Luc Nancy, “Les sens du sens”, Bonjour, Hong Design, Seoul
• “Vide & O”, “Station O Time”, Bonjour, Hong Design, Seoul
• “Liberty of art or tree without quality”, Art review, Seoul
1999
• Kim Soun Gui, Nuages paresseux, La Main Courante, La Souterrain
• “Carnet”, Particolore, n° 1, Marseille
• “A propos de multimedia”, letter to J.L. Nancy, Tympanium, n° 3, Tympanium, NY
1997
• “Station 0 Time”, Bogoseo-Bogoseo, Ahn Graphics, Seoul
• “Vide ou silence”, “A propos de multimedia”, “Emptinesse of Emptiness”, “Station O time”, Monography II, Sock Jon, Les Herbins
1993
• “Œuvre de Kaï”, Catalogue de l’exposition de Kaï, Contemporary Art Museum of Hiroshima, Hiroshima, Japon
• “The emptinesse of emptiness/ dream of butterfly”, Art and Asia Pacific, vol. 1, n° 4, Sydney
1988
• “La voie(x) du silence, œuvre de Kaï”, catalogue; International Biennale of Painting, Château-Musée de Cagne sur mer, Cagne sur mer
• “John Cage”, Magazine Kanal, n° 37, summer 88, Paris
1986
• “Temps de la vidéo et temps de la performance”, Revue d’Esthétique, Nouvelle Série, n° 10, ed. Private, Toulouse
• “Eclat du vide / Temps et Espace dans l’art japonais”, Travers, n° 38-39, Centre Pompidou, Paris
• “De la route de Cezanne à la route de Silence (œuvres de Kaï )”, catalogue; XX me International Biennale of Painting, Château-Musée de Cagne sur mer, Cagne sur mer
1983
• “Note sur Nam-June Paik / Temps et Vidéo”, Revue d’Esthétique, Nouvelle Série, n° 5, ed. Private, Toulouse
1982
• “Semiological study: painting of Shi-Tao”, Archive of Pacific Cultural Foundation, Taipei
1978
• “Technology of art in East Asia today in East Aisa”, Culture, UNESCO, Paris
1975
• “Kim Soun Gui”, catalogue of exhibition; KIM Soun Gui, American Cultural Center, Seoul
1968
• Translation in french: Taro Okamoto, The Role of Art in Society of Today (pub.ISFA/6, 1966, Tokyo), Midehakbo, Seoul National University Press, Seoul